Áó÷àöêèé Â.Ï., Çàãàéíîâà Ì.Í.
Âîñòî÷íî-Êàçàõñòàíñêèé Ãîñóäàðñòâåííûé òåõíè÷åñêèé
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èì. Ä.Ñåðèêáàåâà, ã.Óñòü-Êàìåíîãîðñê, Ðåñïóáëèêà
Êàçàõñòàí
Art
and Sport in Contemporary Mass Culture
Since ancient times people have been trying to
determine the interrelation between art and sport in the system of culture.
There have been as many discussions and disputes as many myths. But one thing
goes without saying that art and sport take a very important place in esthetic
culture.
In the contemporary world art appears to be a
multi-layer and heterogeneous phenomenon. Both the character of viewing
audience’s ethic needs satisfaction and the means of art activity differ
greatly. At present existing art tendency is based on integration of two poles:
reality and festivity, imagination and prosiness. Art adopts sport borrowings
and oversteps its own boundaries. While extending the boundaries of art by
means of esthetic development sport practice is being enriched by new and
sometimes untypical elements of different art forms. Such interrelation between
different forms of art results in new esthetic objectives that determine their
development in the process of conceptualization of different types of sport.
The element of staginess is extremely important for
every mass performance especially for a sport one. Competitive moment that is
the main point of professional sport enhances its importance but doesn’t
exclude artistic and esthetic objectives. Thus sport is included into the
sphere of modern art and the question is how it correlates with other art
forms. Organic inclusion of sport into the system of contemporary culture
represents a qualitatively new esthetic and art phenomenon. Understanding the
unanimity of sport and art enables comprehension of further sport development
as well as peculiarities of modern art.
Before trying to find similarities between art and
sport we have made an attempt to determine their differences. The most evident
of them is that sport doesn’t aim to reflect the reality, at least in descriptive
manner, as art does.
Another important moment is that the choice of media
of expression is different in sport and art. At first sight the motions and
gestures that are used in the both may seem similar and someone will say that
all of them serve for expression but the aim and the meaning of these
expressions will be different. Expression in sport stands for accurate and
efficient execution of a physical exercise. Using art elements is stipulated by
the necessity to make an impression on audience and referees who assess the
demonstration of an athlete. In other words in sport performance priority is
given to technical part rather than to artistic impression. Expression in art
appears to be delivery of vivid and informative reflection of the reality (sport
practice in our case) as well as reflection of the author’s emotional attitude
to the creation.
The character of conditions for sport and stage
performances differs also. In a sport performance the competitive conditions
bring athlete’s actions into focus and he/she is the main subject in contempt
of performance’s staginess. In an art performance the staginess is aimed at the
audience’s perception. The dominants in both types of performances are wide
asunder as pole and pole and drama laws do not work in sport conditions.
The criterion of an athlete’s or an actor’s behavior
assessment is rather important. The highest mark is given to a professional
athlete for his moderation, equability of mind and concentration. All these
characteristics seem ruinous for an actor who is supposed to show emotions, to
create a scenic character in the context of drama performance.
Thus, sport and art have many differences in their
content, their functions and characteristics of the subject’s activities.
Nowadays the opinion that some kinds of sport are equal to art is becoming more
and more widespread. Let’s try to determine their points of coincidence.
First of all, it’s necessary to notice that sport and
art are always competing with each other for popularity. Their attractiveness
is directly dependant on high level of preparedness and esthetic value which
determine the content arousing everybody’s interest. Esthetic origin is the
consolidating principle that makes both an athlete and an artist act and
perform according to the Beauty law using means available only for them. Sport
as well as art represents demonstration of emotional, physical and intellectual
abilities of a human. Impressive achievements are impossible without
outstanding genius and talent as in these two spheres it’s not enough to be
just a disciplined doer. This is the world of inventions, experiments,
creativeness and intrepidity. And the most important feature for an athlete as
well as for an artist is an individual style, personal manner that guarantee identity
and result. Looking at an athlete before start or at an actor before coming to
stage we notice how they are preparing, organizing themselves, turning away
from the outer world and reincarnating. An athlete is trying to catch the rhythm;
an actor is trying to live into the character.
Only sport or art performances are able to trigger an
emotional reaction, only they give spectators an opportunity to self-identify
(in other words, to imagine themselves at the athlete’s or actor’s place). But
the most important stair on the way to sport and art integration is their
humanism. Both sport and art have the same function – to express contemporary
humanistic ideal in sensory and visual images. The first steps in world
cognition a child makes by means of art and physical culture i.e. those spheres
where Beauty is expressed mostly demonstrably and understandably. From the
above reasoning we can make a conclusion that both sport and art appear and
develop as human esthetic activity’s varieties.
We have already mentioned that in art esthetic
constituent is the main and determining while in sport it is a necessary
condition of sport results achievement. But the last observation cannot relate
to all kinds of sport because they are inhomogeneous.
In the conclusion we would like to notice that the
influence of sport on art is an admitted fact, but scientific researches pay
too little attention to art tendencies in sport. Besides, there is enough
information about professional Olympic sports but contemporary mass sports as
well as innovative means of sport and art integration are neglected.