Usachev V. A., Rakitskij M. D.,
Donetsk National University of economics and trade named after Mikhail Tugan-
Baranovsky
The
main variety and motivation myths
The main aim of this article is the main varieties of
myths and their motives. Myth is a legend, sending the people of the world, the
place of man in it, the origin of all things, about gods and heroes; a vision
of the world. Specificity of myths is most clearly in primitive culture, where
myths represent part of the science, a seamless system, in terms of which
perceived and described the entire world. Later, when out of Mythology are such
forms of social consciousness as the art, literature, science, religion and the
like, they hold a number of mythological models, with the inclusion in the new
structure; the myth is going through its second life. Antique mythology human
beings usually associated with Greek and Roman mythology, but this is not right
in each State had its ancient myths and legends. A brief look at the mythology of large
States:
1) Greek mythology. The ancient Greeks perceived world
as one huge ancestral community, they gathered all the diversity of human
relations and phenomena of nature
2) Roman mythology image hard and collective
mythology. The Romans were extremely tolerant of false gods, so its a little
left.
3) Mythology of Egypt, which is often incomprehensible
to ordinary people and decryption requires serious and scientific interpretation.
Egyptian mythology contains many puzzles, which I'm sure mankind will be tricks
or even very many years.
4) Slavic Mythology is closest to our mentality, but
at the same time, Slavic mythology is not always clear to us, more civilized
descendants (in our understanding of human sacrifices were not very normal).
5) Japanese and Indian mythology, developed in
isolation from the rest of the civilized world and biblical myths and legends
which tell us only the good.
Common myths of all peoples is their variety. myths of
aetiological (letters. "causal", i. e. the explicative) is the myths
that explain the emergence of various natural and cultural features and social
objects. In principle, etiological myths and function is most specific for the
myth itself. Etiological myths are practically under the first stories about
the origin of some animals and plants (or their private properties), mountains
and seas, the heavenly luminaries and meteorological phenomena, social and
religious institutions, economic activities, as well as fire, death, etc. As a
special variety of etiological myths include myths that explain the origin of
the rite of worship, religious acts Myths narrate about the origin of the ñosmogoniñ space as a whole and its parts are related in a single system.
Cosmogony typically involves the separation and selection of main elements
(fire, water, land, air), the sky from the Earth, the Earth's oceans, the
universe of the world tree, the world's mountains, building on the sky lights,
and so on, then the creation of the landscape, plants, animals, human. Various
space objects can be found, even kidnapped and transferred cultural heroes, are
biologically gods or their will, their magic word. Part of the cosmogonic myths
are myths antropogoniñ— on the origin of man, the first people, or tribal ancestors (tribe in
myths are often identified with "real people" with humanity). Human
origins can be attributed to the myths as the transformation of Totem animal as
separation from other beings, as an improvement (spontaneous or gods) some
imperfect beings, as biological
generation gods or as divine demiurgs of Earth, clay, wood, etc., as moving
some creatures from the lower world to the Earth's surface. The origin of women
sometimes described differently than the origin of men (from a different
material, etc.). The first person in some myths is treated as the first death
since already existed before gods or spirits are immortal. The ñosmogonic myths about myths Astral, solar and moons reflecting the
archaic view of stars, the Sun, Moon and their mythological personification.
Myths of Astral, Stars and planets. In archaic mythological systems, stars, or
the entire constellation is often represented as animals, trees, in the form of
a heavenly Hunter with the beast, and t. p. Several myths ends moving heroes to
the sky and turning them into stars or, conversely, expulsion from heaven not
passed tests in breach of the prohibition (wives or sons of heaven). Location
of stars in the sky can be interpreted as a symbolic scene, an original
illustration of a myth. As the celestial mythology stars and planets is
strictly attached to certain gods. Presentation on the impact of the movement
of celestial luminaries on the fate of individuals and the entire world has
mythological background to astrology. Solar myths and moons, in principle, are
a form of Astral. In archaic mythologies the Moon and the Sun are often in the
form of a twins pair of cultural heroes, or brother and sister, husband and
wife, parent and child. . The Moon and Suns characters of dualistic myths,
built on the interplay of mythological characters, Luna (per month) for the
most part it is negative, and the Sun is positive. They represent the
opposition and two "halves" Totem tribe, night and day, feminine and masculine,
etc more archaic lunarnyh myths month appears more often in the form of
masculinity, and in the more developed — female. The divine existence of the
Moon and the Sun (as is the case with the stars), sometimes preceded by earthly
adventures of a pair of mythological heroes. Some moons myths explain the
origin of the Special spots on the Moon ("Moon man"). Solar deity
tends to become the main, especially in ancient societies headed by King-priest. View on the movement of the Sun
is often associated with a wheel, with chariot, which horses, with the fight
against monsters or God of storms. Diurnal cycle is also reflected in the
mythical motive of evanescent and returning the solar deity. Universality is
the myth of the daughters of the Sun. Twins myths — wonderful creatures
presented as twins and often acting as pioneers of the tribe or cultural
heroes. The origins of the twins myths can be traced in the perception of the
twins of birth, which most people thought ugly. In myths of the twin-brothers they
usually were first rivals, and later became allies. Some dualistic myths twin
brothers did not antagonic each other, and embody different began (see above
myths solar). There are myths about twin brother and sister, but found and
options, where the incestuous marriages, brother and sister is preferred to
have several brothers. Myths are the inescapable part of totemic totemic
beliefs and rites of society; These myths are based on the fantastic uncanny
relationship between a specific group of people (originally, etc.) and t. h.
totems properly, i.e. species of animals and plants. On the content of the
totemic myth is very simple. The main characters have these characteristics and
human and animal. The most typical form of totemic myth known Australians and
African peoples. Totemic features clearly visible in images of the gods and
cultural heroes in mythology peoples of Central and South America. The remnants
of totemiñ preserved in Egyptian mythology, and in Greek myths about the tribe,
the myrmidons, and frequent motive of turning people into animals or plants
(e.g., the myth of Narcisse). Calendar myths closely connected with the cycle
of calendar ceremonies, usually with agrarian magic oriented regular change of
seasons, especially in the revival of vegetation in the spring (interlaced and
solar motives), harvest. In the ancient Mediterranean farming cultures
dominated by myth, symbolizing the fate of the spirit of vegetation, the grain
harvest. The calendar is the myth of the old and or death and resurrection of
the hero (myths about Isis, Tammuze, Adonise, Dionysus etc.). As a result of
the conflict with the demon, Goddess-mother or divine sister-wife hero
disappears or dies or suffers physical damage, but then his mother (sister,
wife, son) searches for and finds resurrects, and he kills her demonic
opponent. Myths of the heroic capture critical points in the life cycle, are
built around the hero's biography and may include his beautiful birth, testing
from senior kinsmen or hostile demons, finding a wife and marital test, fight
beasts and other feats, the death of the hero. Biographical in heroic myth in
principle similar to the outer top of the myth kosmogoniñ; only here ordering chaos is related to forming a personal hero,
capable of continuing to support their own space. Reflection of initiation in
heroic myth is mandatory withdrawal or expulsion of the hero of his society and
journey in other worlds, where he acquires the spirits-helpers and wins the
demonic spirits-enemies, where he sometimes had to go through a temporary death
(swallowing and Monster; death and resurrection). Test initiator (host
sometimes form the "challenge") may be the father, or uncle of the
hero, or the future father-in-law, or tribal chief, heavenly deity, such as the
Sun God, and t. p. Exile hero sometimes motivated by its misconduct, violation
of taboos, inter alia, incest (incest with his sister, or wife, father,
uncles), also a threat to power his father chieftain. Greek mythology hero as
the term means son or descendant of deity and mortal human. In Greece the cult
of the dead heroes took place. Heroic myth is a major source of generation as a
heroic epic, and fairy tales. Myths about the "latest" things about
the end of the world arose relatively late and relied on the model of myths
calendar, myths about the change of epochs, cosmogonic myths. In contrast to
the ñosmogoniñ myths, not an tell the world and its elements, and on their destruction
— the loss of land worldwide flood, haotiñ space, etc. It is difficult to
separate the myths about disasters that accompanied the change of epochs (about
the death of the Giants or the older generation of gods who lived before the
advent of human catastrophes and periodic update of the world), from the myths
about the ultimate destruction of the world. More or less advanced eschatology
find in myths the Aboriginal American mythologies, Hindu, Iranian, Christian
(Evangelical "Apocalypse"). Èshatologiñ disasters often
precede the violation of the law and morality, strife, crimes of people calling
for vengeance of the gods. The world is killed in a fire, flood, as a result of
space battles with demonic forces, from hunger, heat, cold, etc. primary source
that inspired the ancient people create myths, as already stated above was
their environment. That from a scientific point of view, they could not explain
myth. Whence and whither Sun, why is thunder and lightning, why on Earth have
so many varieties of different creatures and why some of them very pleasant
man, while others suggest fear ...