Ôèëîñîôèÿ/4.
Ôèëîñîôèÿ êóëüòóðû
Ñòàðøèé
ïðåïîäàâàòåëü ×åðíèãîâñêàÿ À.È.
Ñòàðøèé ïðåïîäàâàòåëü Ñàëåé Å. Â.
Ãðîäíåíñêèé
ãîñóäàðñòâåííûé óíèâåðñèòåò èì. ß. Êóïàëû, Áåëàðóñü
Psychocultural Processes: Individual
Behavior as a Level of Analysis
The task of this article is to introduce two different approaches to
sociocultural change that incorporate psychological variables. We are going to
analyze what factors are considered and how they are treated depends on the
sorts of questions the analyst wishes to answer.
In cultural anthropology, the scholar who has unquestionably contributed
the most systematic and comprehensive discussion of innovation processes is
Homer Barnett. Barnett arrived at two fundamental conclusions: 1) that culture
traits, whether material or nonmaterial, are not “discrete inflexible wholes”
but can be subdivided into qualities of form, meaning, function, and operating
principle, any of which can be modified by recipient peoples, and 2) that the
processes of modification and incorporation are basically mental processes,
occurring in the minds of individuals [1]. The important point is that by
describing the nature of culture, Barnett was describing what he intended to
study as the primary elements in culture change: changes in ideas. And, because
multi-individual ideas are subject to the same principles as idiosyncratic
ones, the analyst could justifiably concern himself with how “new” or
“different” ideas emerge in individuals. This, for Barnett, was the key to
processes of sociocultural change, although the emergence of new ideas simply
makes change possible – it does not cause it to take place. Change results from
the acceptance of the novelties by the group.
Innovation is the recombination of previously existing ideas into a new
idea (or mental configuration, in Barnett’s terms). The process is rapid,
complex, and often subconscious on the part of the individual. It is essential
to keep in mind that the process goes on within the individual’s brain, and
that its basic units are ideas (mental configurations), not material items. The
three steps – analysis, identification, and substitution – together comprise
the innovation process. Innovation is not a process limited only to geniuses or
inventors. Everyone innovates, and most are unaware that they are doing so
because the innovative combinations of configurations are so fleeting and at
times so trivial that they never force themselves fully into the individual’s
consciousness. The rates at which individuals innovate apparently vary, as does
the relative emphasis placed on innovations in one or another component of a
group’s life-way. Both the rate and nature of the innovations are influenced by
their cultural setting.
Barnett described what factors are important in the modification
process, from the perspective of the individual acceptor-innovator [2].
Generally, the individual must assign some sort of meaning to the innovation –
it must have significance for him; and from his perspective, acceptance must
bring with it some advantage he would not otherwise enjoy. If both conditions
are not present, then the innovation will probably be rejected. Exactly how
does innovation play a part in acceptance? The potential acceptor first
analyzes the proffered novelty in terms of his pre-existing configurations that
he believes are relevant. He then matches or identifies components of the new
with those of the old and, according to his criteria of evaluation, decides
whether or not to substitute the new configuration for the pre-existing one.
The apparent difference between innovation-innovation and acceptance-innovation
is that the “new” configuration originates in the former and not in the latter.
But, in fact, Barnett argued that the novelty for the innovator is not quite
the same as novelty for the acceptor. The reason is the philosophical-psychological
one that the mental configurations of two or more people are never identical.
Even though the acceptor may think his “new” configuration is exactly that
offered by the innovator, it is not; inevitably the acceptor adds to the novelty
of the innovator’s “new” idea [2].
Generally, innovation potential will be greater among individuals in
sociocultural systems 1) that have a relatively large inventory of culture
traits (both material and non-material) and that are relatively “open” in the
sense that communication of ideas among various group is fostered; 2) in which
there is a generally good possibility for immigration into the system; and 3)
in which competition between individuals or organizations is not squelched [2].
On the negative side, innovative potential is usually quite high in situations
of disaster or among groups who feel to be rejected, devalued, or humiliated by
other groups in the same sociocultural system.
Innovation is going on all the time, among all individuals. Only when
considered within a sociocultural context can it be understood why groups vary in
their rate of innovations or why some types of innovations are more readily
accepted than others. Acceptance also usually depends in part upon how and by
whom the novelty is “sold” to the group, and this juncture the role of the
advocate becomes extremely important.
Innovation is the basis of all sociocultural change. Diffusion, evaluation,
stresses and strains within systems – all are ultimately products of the human
propensity to create new ideas out of old ones. But there can be no
sociocultural change without acceptance of innovation; and immediately when we
broach the issue of acceptance (or even when attempting to understand a
specific innovation), the larger sociocultural context becomes a crucial
variable. All this is to say that even though the analytical level focuses upon
the individual mental process, no specific example of change is intelligible
without invoking variables from the more inclusive sociocultural level of
abstraction.
Ëèòåðàòóðà:
1.
Barnett H.G.
Invention and Culture Change / H.G. Barnett – American Anthropologist 44,
1942. – p. 14-30.
2.
Barnett H.G.
Innovation: The Basis of Culture Change / H.G. Barnett –N.Y.: McGraw-Hill,
1953.
3.
Bee R.L. Patterns and Processes / R.L. Bee. – N.Y.: The Free Press,
1974. – 260 p.